Advisory board

360bespoke combines one of the industry’s most experienced executive teams with an advisory board of industry leaders from all disciplines.

About 360bespoke: One of New York’s most sophisticated, discerning PR agencies. With a first-class collection of talents and brands in lifestyle, beauty, fashion, pursuits, and the arts, we provide elegant, tailored strategies, campaigns, and media coverage that overdelivers results and exceeds expectations.

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Andrew Goldman

Andrew Goldman is an accomplished and creative leader with industry-wide relationships, respected for his abilities to collaborate and negotiate. His expertise lies in developing and launching new linear and digital initiatives, strategy, acquisitions, multi-platform scheduling, and channel development/conversion that target both broad and specific demographics.

Goldman is currently Vice President of Programming for Fatham Events, where he oversees the acquisition of high value content with broad audience appeal which will play at exhibition chains which play Fathom Events content. The company recently broke box office records with Warner Bros.’ Peter Jackson’s WWI documentary They Shall Not Grow Old which in its Dec. 27 encore presentation grossed $3.1M, making it the highest-grossing single-day ever for a documentary on Fathom, and one of the top-grossing single-night presentations of any kind from the events company.

Prior to joining Fathom Events, Goldman was SVP/Head of Programming at OWNZONES Entertainment Technologies, a global provider of technology and media solutions for the motion picture, television and digital content creation industries. Earlier in his career, he was VP of Program Strategy and Planning for HBO/Cinemax and was instrumental in the launches of HBO Now, HBO Go, Max Go and Video on Demand. There, he was responsible for the linear and digital strategic planning of all programming for HBO/Cinemax’s 15 multiplex channels and platforms such as HBO Now (OTT), HBO Go, MAX Go, and Video On Demand. He directed the programming calendar during all points of its creation and transformation from the daily scheduling output to long-range planning. He also worked closely with the research, marketing and creative programming teams to help set goals for current series that best support and extend both brands, which reach over 32 million households. During his tenure, the company boasted 17 years of record setting program ratings growth. The executive also supervised HBO/Cinemax’s film library analysis and inventory management, overseeing a $50 million-dollar independent film acquisition budget that delivered ROI in utility across platforms, frequency of plays and audience satisfaction.

Goldman earned an MFA in Cinema Studies from New York University’s Tisch School of Arts and a BA in Political Science/Communications from Syracuse University. He is a member of the Academy of Television Arts and Sciences (ATAS), the National Academy of Television Arts and Sciences (NATAS), the National Association of Television Program Executives (NATPE), the British Academy of Film & Television Arts (BAFTA), and the Paley Center for Media and National Association of Multi-Ethnicity in Communications (NAMIC). Goldman also serves on the Board of Governors at the Friars Club and the Alumni Council at New York University’s Tisch School of the Arts. He is also a volunteer with the New York Cares Children’s Education Project and lectures on media studies at major universities including USC, UCLA, Fordham University, Carnegie Mellon University, the Newhouse School at Syracuse University and the Wharton School of Business. Goldman has been an Adjunct Professor in the Department of Film & Television at NYU’s Tisch School of the Arts since 2006.

Goldman currently resides in Scarsdale, NY with his wife, Laura and daughter, Danielle.

the Co-Founder and Chief Strategy Officer at TVtibi, an emerging global over-the-top (OTT) service offering a variety of channels, shows, episodes, films, and other programming, both live and on-demand, direct to consumers. He oversees and acquires all content acquisition and sets long-term program strategy.

As Vice President of Program Strategy and Planning, HBO/Cinemax, for Home Box Office, Goldman was responsible for the linear and digital strategic planning of all programming for HBO/Cinemax’s 15 multiplex channels and platforms such as HBO Now (OTT), HBO Go, MAX Go, and Video On Demand. He directed the programming calendar during all points of its creation and transformation from the daily scheduling output to long-range planning. He also worked closely with the research, marketing and creative programming teams to help set goals for current series that best support and extend both brands, which reach over 32 million households. During his tenure, the company boasted 17 years of record setting program ratings growth. The executive also supervised HBO/Cinemax’s film library analysis and inventory management, overseeing a $50 million-dollar independent film acquisition budget that delivered ROI in utility across platforms, frequency of plays and audience satisfaction.

Prior to Home Box Office, he began his career as a screenplay analyst at Warner Bros., where he worked with various studio-based producers on developing properties into feature films such as “Lethal Weapon”, “The Lost Boys” and “Flatliners”.

Goldman earned an MFA in Cinema Studies from New York University’s Tisch School of Arts and a BA in Political Science/Communications from Syracuse University. He is a member of the Academy of Television Arts and Sciences (ATAS), the National Academy of Television Arts and Sciences (NATAS), the National Association of Television Program Executives (NATPE), the British Academy of Film & Television Arts (BAFTA), and the Paley Center for Media and National Association of Multi-Ethnicity in Communications (NAMIC). Goldman also serves on the Board of Governors at the Friars Club and the Alumni Council at New York University’s Tisch School of the Arts. He is also a volunteer with the New York Cares Children’s Education Project and lectures on media studies at major universities including USC, UCLA, Fordham University, Carnegie Mellon University, the Newhouse School at Syracuse University and the Wharton School of Business. Goldman has been an Adjunct Professor in the Department of Film & Television at NYU’s Tisch School of the Arts since 2006.

Goldman currently resides in Scarsdale, NY with his wife, Laura and daughter, Danielle.

Beth Feldman

One of the brightest, most inventive minds in media, Beth Feldman is an industry renown executive with more than 25 years in public relations, marketing, building online communities, social media, talent relations, event planning and public speaking. The brain behind the PR launches of the CBS hit series “CSI” and “Everybody Loves Raymond,” Feldman brings experience in nearly every industry, from television and film to parenting, pets, fashion, lifestyle, publishing and tech, among other fields. As founder and president of her full-service firm, Beyond PR, she has developed a reputation for crafting sophisticated, creative, prescient and effective campaigns that have achieved international, domestic and local placements, including television and radio, newspaper and glossy magazines, digital and emerging media platforms. With an envied list of media contacts, creative mind, boundless spirit and a keen understanding of the modern-day media cycle, Feldman has distinguished herself among the top tier of PR professionals working on the national stage.

At the same time, Feldman is an online community pioneer, creating the popular Role Mommy platform that connects working mothers across the country who use social media, websites, conferences and events to discuss issues like child-rearing and work/ life balance, among other topics of interest. So successful has it been, Feldman is routinely hired to create “mommy” campaigns for companies like Sony and CBS. She also co-authored her first book, Peeing in Peace in 2005, and followed it up with a second title, See Mom Run – Sidesplitting Essays from the World’s Most Harried Moms, both of which became brisk sellers in bookstores and e-commerce platforms. Through her Role Mommy brand, Feldman has been recognized as a parenting expert, appearing frequently on programs like “Good Morning America,” “Nightline,” Better TV, ABC News Now, Fox News Channel, “Inside Edition,” WCBS-TV and CW-11 Morning News, in addition to national news sources such as Associated Press and The New York Times.

Feldman gained a national media profile during her 11 years with the CBS Television Network, where she created and executive global media campaigns for its entertainment division. As Vice President, she oversaw areas as varied at primetime publicity, consumer products, marketing and event special event programming. In addition to “CSI,” Feldman launched the reality series “The Amazing Race,” handled PR for the hit series “The King of Queens” and created the award-winning “series-end” campaign for “Everybody Loves Raymond,” which began with the cast ringing the opening bell on the New York Stock Exchange, continued with day-long national media interviews on a dais overlooking the Statue of Liberty” and ended with a black-tie gala at the Paley Center for Television in midtown New York.

Feldman began her career in media with Sony Television, where she helped launched and manage PR campaigns for many of its syndicated properties. She holds a Master’s degree in journalism from New York University and graduated Phi Beta Kappa from the University of Massachusetts at Amherst. She currently lives in Westchester County with her husband and two children.

Sarah Rose

Sarah Rose is a journalist and author of the new book D Day Girls (Crown), the untold story of the extraordinary women recruited by Britain’s elite spy agency to help pave the way for Allied victory. The book has received rave reviews, including by best-selling author Erik Larson, author of Devil in the White City, who called the book “gripping, queasily so: Spies, romance, Gestapo thugs, blown-up trains, courage, and treachery (lots of treachery)—and all of it true, all precisely documented.” As a reporter in New York, Miami and Hong Kong, she has covered a range of beats – cops, courts, schools, diplomacy, food, travel, celebrities, equities and labor. Rose also writes The Wall Street Journal’s “Dynasties” column, profiling New York’s real estate billionaires, and is the dating columnist for Men’s Fitness. In 2015, the Society of Professional Journalists awarded her First Place in Reporting for her feature on the last roundup of wild cattle in Hawaii.

PRESS CONTACT:
Jeremy Murphy/ [email protected]

Q&A with Sarah Rose

What gave you the idea for D Day Girls?
Sarah: I wanted to know about the lives of the first women in combat. Focusing on the earliest class of women sent to France was a way to shine a light on the pioneers. Andree Borrel, Lise de Baissac, and Odette Sansom were each, in their own way, instrumental in laying the groundwork for an Allied victory. Andree helped raise up the Resistance on the Channel coast; Lise was in Normandy in June 1944 to lead it. Odette escaped from Ravensbruck and the evidence she collected helped convict the leader of the largest women’s prison in history.

How long did it take to research/ write? And what was it like to be in UK and France to interview, meet families and see where things actually happened?
Sarah: I spent two years writing. As a starting point, I moved to France to immerse myself in the world of Vichy and to learn French. I wanted to understand the training these women had gone through, so I went parachuting, took a boot camp, practiced shooting, assembled a radio and attempted to learn Morse code. I would make a terrible spy, but I wanted to create a lived-in feel. I visited the known addresses and walked every step. I interviewed veterans, families and scholars, who were so welcoming and gracious with their memories, but by and large, my research took place in the archives. I found an embarrassment of riches in diaries, oral histories, letters, war crimes testimonies and declassified military files.

What was the hardest part?
Sarah: I needed to recreate clandestine work in France for readers but had to dig deep for information. A good agent leaves no trace, so operational details are invisible by design. Missions were classified for two generations, until the end of the Cold War. By that time, few agents were still alive. Files were selectively weeded long before declassification, particularly when details were embarrassing to the Allies. Some first-person accounts are grandiose and demand being taken with a great deal of salt; clandestine work attract kooks, smugglers and fantasists, in addition to heroes. Commanders had the paternalistic idea that what happened to women behind the lines was either unseemly for posterity, or grotesque. When agents got raped, records are silent. When Odette spoke about her torture she was called a hysteric, despite her scars. Odette’s recruiter even spread the false rumor that she survived only because she was the Ravensbruck commandant’s mistress.

Why don’t people know this story already?
Sarah: Sending women to war was brand new. When one third of the recruits didn’t return it horrified Britain, and was seen as a betrayal of her most vulnerable citizens. Baseline sexism also distorts the record: Women’s missions were dismissed as “secretarial,” though they were telegraph operators, couriers, and circuit leaders: the same work performed by men. Sexual relationships blossomed behind the lines, producing a few marriages, but historians disdain this very human part of war as “romantic twaddle” and go back to counting bullets and bodies. To be very honest, the overwhelming reason we don’t hear about women in global conflicts is that until now war stories have been written by men.

Why should readers buy this book now?
Sarah: The 75th Anniversary of D-Day will be celebrated this year on June 6. I want the world to remember that the hidden figures of D-Day are women. We don’t know enough about the female leaders in Normandy and Brittany, or about the mothers and daughters who died receiving arms dumps, hiding contraband and forging documents, who were publishing manifestoes, conducting underground railroads, and defying Nazi torture. They are every bit the heroes men were, and, after 75 years, deserve to be honored.

What do you hope readers get out of this book?
Sarah: Andree, Lise and Odette are inspiring. In a moment of global upheaval, their stories demonstrate what the anger and energy of politically-minded women can accomplish. With authoritarian, ethno-nationalist regimes on the rise, the world of D-Day Girls doesn’t seem so far away. But as in France in 1940-1944, women are now stepping up, taking to the streets, organizing opposition, putting their bodies on the line, and proclaiming their right to #RESIST. The work of our matriarchs reminds us that activism is a potent weapon and can change the fate of nations.

What is your next project?
Sarah: I have no idea what’s next!

Advisory board

Cathie Black

Andrew Goldman

Anna Carbonell

Vivian Deuschl

Cable Neuhaus

Lori Shook

Sarah Karp Ward

Angela De Bona

Crissy Poorman

Beth Feldman

Josephine Hemsing

Bonnie Schultz

Kenny Kim

Brian Aker

Sarah Rose